At the start of spring, the University of California Press released a new arts, culture, and history-based publication called Boom: A Journal of California.
The first issue features several scholarly articles which address California's economic and social difficulties (titles include "How to Fix a Broken State" by Joe Matthews and Mark Paul, and "Race and the Mythology of California's Lost Paradise" by Daniel HoSang.) A music-related article by Jesse Drew, Associate Professor of Technocultural Studies at UC Davis, addresses something slightly different.
The article, titled "Country Music's California Heart," discusses the musical genre's reputation as an art form steeped in traditional or conservative values, and the ways in which those values may be at odds with California as a place of "nontraditional lifestyles, radical protest movements and a rejection of the status quo." In the article, Drew considers where California Country music fits into the vast political spectrum.
"County Music's California Heart" features images obtained from the Center for Sacramento History and makes specific reference to longtime Sacramento resident Bob Wills, his western swing band, the Texas Playboys, and the bygone era of Wills Point (an entertainment venue located near today's I-80 off ramp to Auburn Boulevard.) Some Sac History Happenings readers may be surprised to know that country music has locally established roots...
Information regarding subscriptions to Boom: A Journal of California may be found at the following link: http://ucpressjournals.com/journal.asp?j=boom and details regarding Jesse Drew's current film project "Big Country: The Politics of Country Music" may be found through his website: http://www.jessedrew.com/
IMAGE CREDIT: Postcard of Wills Point, Courtesy of the Center for Sacramento History, City of Sacramento Collection, 2001/x-03/0126











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